The Story
Behind
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In the beginning, we got hold of a book. Just by accident. The book,
published somewhere in Brooklyn, was describing the activities of the
Working Group of
Bratislava.
Even though at first glance the book was more of a heroic tale then a
serious historical work, we were shocked by the fact that we never
heard about the Working Group, and that it is hardly mentioned in any
of the Holocaust literature available in
Czechoslovakia.
In
Prague
and also
Bratislava
,
the town where the Working Group came into being, nobody knew anything
about the Working Group. This strange latency sparked our interest and
we decided to look into the history of the Working Group in more
detail.
We attempted to contact the author of the book, but from all sides we
were told that he had passed away long time ago, as did all the
witnesses of the Working Group activities mentioned in the book.
It seemed that we, two young students of the
Prague
Film
Academy
,
could never even start our attempt to uncover this forgotten history.
Only much later did we realize that our partial naivete and ideological
unaffiliation were the only possible ticket for entering the murky
political waters surrounding the Working Group.
Besides the complete destruction of physical monuments of Jewish presence in
Slovakia
during the past 50 years, the collective Jewish memory was also erased
by migration and emigration. Such simple questions as where the
war-time Jewish self-administration was located or from where did the
deportation transports leave were transformed into unsolvable riddles
in
Bratislava
. In
Nitra
,
not a single photograph or a painting existed of the "Jewish Vatican",
the area where the
Nitra
yeshiva was located. Of course, the whole Jewish quarter of
Nitra
was leveled after the war. Even the director of the Jewish Museum in Bratislava
had to admit, that besides five photographs from
Israel
he has no other information about the Working Group. We simply had to
search somewhere else.
Despite numerous assurances that they are dead, we have found the first
witnesses of the Working Group activities with the help of the Israeli
Society of Former Czechoslovaks. The same institution helped us with
finding pupils of rabbi Weissmandl, a key member of the Working Group.
Gradually we succeeded in establishing a network of contacts within the
orthodox communities of Slovak Jews in the US, Canada and Israel, and
we attempted to gain their trust and support. This mostly meant
convincing these deeply religious Jews that they could share their
memories with us, and that our project is worth crossing the line of
tradition and agreeing to being filmed by a video camera.
In the West, the reasons for the silence surrounding the Working Group
were different from those that applied to Slovakia. In the West, the
reasons were purely political. The theme of Jewish negotiations with
the Nazis is still very hot in the countries with substantial Jewish
communities, and it is sometimes used as a battle tool in the power
struggles between the various political wings of modern Jewry: the
theme of the Working Group is mostly abused in the Zionist-Orthodox
conflict. In this connection, we have found out that Claude Lanzmann
was planning a whole segment about the Working Group for his famous
project "Shoah". But there is not a single mention of the Working Group
in the final cut of the film. Why, when he contacted most of the then
living witnesses of the Working Group activities, when he even visited
the Nitra yeshiva in Mount Kisco? Why did he keep writing letters to
the survivors assuring them that in his film, the Working Group will be
finally given the credit it deserves? Why did he finally break all
lines of communication with these interviewees? We don't know. The
witnesses themselves claim that this was caused by the Zionist money
entering Lanzmann's project upon condition that Weissmandl's name and
any mentions of the Working Group would be erased.
After roughly a year of work, we have located Andre Steiner, the last
living member of the Working Group. This changed our attitude
altogether. We had a direct witness, he was 89 years old, and we needed
to interview him. As it was impossible to receive any independent
financial assistance, we filmed the Andrej Steiner interview and the
Gellis interviews in Toronto using our families' savings. The script
which already included portions of these interviews received a
financial grant of some 2.5 million Czech crowns from the Czech State
Fund for Support and Development of Czech Cinematography. At that
moment, Anna Beckova, a Czech TV producer, could join in, and thanks to
her support we were finally able to start the actual realization of the
whole Among Blind Fools project.
In the film, the viewers could see quite a number of unique archival
materials - photographic, textual and film ones. For example, the
originals of the letters written by rabbi Weissmandl. These original
letters were thought to have been lost until we located them last year.
The film also contains a unique recording of rabbi Weissmandl's speech
about his war-time activities. Many of the photographs featured in the
film were not supposed to exist at all, as photography is not very
common within the orthodox community. The most valuable photographs are
probably the ones taken in the war-time Nitra yeshiva. Quite impressive
was also the find of the originals of false passports of rabbi
Weissmandl and Gisi Fleischmann, as these documents were though to have
been destroyed before the war ended. From the archival film materials
worth mentioning is the color footage from the Munkacs ghetto, filmed
in the summer of 1944. Of interest is also the amateur footage of an
unknown Hungarian soldier filmed during the deportations from Gyor, and
the footage capturing the Budapest Rakoczi utca death march. Last but
not least, there is the private 8mm film showing the Nitra yeshiva in
1948. This film has probably the only known film footage of rabbi
Weissmandl himself.
While searching for all this material we could take advantage and be
successful only because of our youth and obscurity. Nobody knew us, and
we had completely independent financial sources. Nobody could suspect
us of being ideologically or financially affiliated to any political
organization. That is how we were able to obtain testimonies from
everybody: from the left wing Zionists to the most right wing orthodox
circles. They shared their memories, opened their archives, and helped
us in establishing other contacts.
In
the end, two former Film Academy students succeeded in completing a
project which other, much more prestigious and prominent figures failed
to complete. We have broken the barrier of silence surrounding the
Working Group since the end of the war. The Among Blind Fools
documentary film trilogy will be screened on the Czech TV in autumn of
this year, and as most of Slovakia receives the Czech TV signal, we do
hope that the Working Group will finally become known even in the
country where it existed.
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